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summer retrospective :: Summer Film Series, Vol. 10

Summer Films 2012

Under the category of “Best Laid Plans”, this year’s Summer Film Series was almost a total bust. I saw one film in a cinema (ONE!), and I had no desire to get out to the movieplexes for any more. It’s not for lack of options. I had a full list of movies I was thrilled to see on the large screen. But with my summers comes a funk – compounded by this year’s continued unemployment woes – so each time I determined to hit the movies, I found fifty reasons why I didn’t want to go. Even after the summer funk lifted, I discovered that the desire for theatre viewing had not returned. Just last week I woke in the wee hours of the morning and decided it would be a perfect day to catch an early (cheaper) showing of The Dark Knight Rises, and I had actual excitement at the prospect, but within a half hour I realized that I just didn’t want to spend three hours inside a dark cinema. Instead, I texted my parents and made a plan to visit them. It was still too warm for lakeside sitting, but I was much happier hanging out at their RV with no purpose than I would have been watching Christian Bale and Tom Hardy. If you’d told me this in the spring I’d have scoffed loudly. But now I’ve determined to just catch this summer’s movies on DVD or at the $1.00 cinema this fall. And I’m totally fine with that decision.

If this trend continues in successive years, I may have to turn the Summer Film Series into a list of what I watched in the summer instead of the new movies released each year. Despite not hitting the cinema more than once (to see The Avengers, whose recap will be posted later this week), I still watched a ton of movies. Granted, most came from television and cable airings, with just a few DVDs in the mix, but movies are still a main source of entertainment for me. The list that follows includes every movie I watched between May 1 and August 31. I may go back and “review” some of these in more depth, or I may not, but I wanted to make note of them in case this year marks the switch from Summer Film (Cinema) Series to Summer Film Series (all-inclusive). Time will tell.

Lady and the Tramp (DVD) – In the spring Dyl discovered this movie and began watching it repeatedly (as he is wont to do), so on one of his longer stays with me I asked what movie he wanted to watch and Tramp was his only choice. I was thrilled since this has always been one of my favorite old-style Disney flicks. And it’s always a joy to watch a movie with D that he adores. We giggle a lot (no actual laughter allowed), and we discuss the movie in great detail. It’s a pleasure to do that with a movie I actually like.

Despicable Me (Cinemax) I took a chance recording this movie, not knowing if D would like it or not, but it turned out to be a good choice. He got a little bored from time to time, but he asked me to leave it on the DVR for future viewings. Since then, D has watched it on his own several times. It’s nice to find a keeper for him!

Happy Feet Two (DVD) – Technically, this shouldn’t count since it was rented for Dyl but he was over it at the halfway point and we never finished. I was enjoying it a lot, though. Brad Pitt and Matt Damon as Will and Bill the Krill were most enjoyable, and dancing penguins are just a happy sight. I may go back and watch one day just to complete it.

Ronin (Cinemax) – My umpteenth viewing. I love this film for a dozen reasons, not the least of which is Sean Bean. It’s a pretty cool flick, too!

Havana (Cinemax) – Every once in a while I do a TV search for Robert Redford and find movies that I never got around to watching before. Havana wasn’t that appealing to my 21-year-old self but it was highly interesting to me now. History in the midst of dramatic narrative with a little romance to spice things up; it’s a beautiful movie with an amazing cast. I should search for Redford more often!

Great Expectations (Masterpiece) – Having never read most of the literary classics I’m always interested to watch film adaptations, and this new movie starring Gillian Anderson as the tragic Miss Havisham was incredibly appealing. I’ve nothing to compare it to, of course, but this Masterpiece offering seemed very well-done and featured exceptional performances all around.

The Seven Year Itch (TCM) – You may recall that I’ve been exploring the films of Marilyn Monroe over the past couple of years, trying to understand the appeal. Seven Year Itch is a funny movie, though always a bit inane, and Monroe is good as a ditzy aspiring actress, but really, her role is largely set decoration. The true star of the movie is Tom Ewell as a man contemplating bachelorhood while his wife is out of town. His affections focus on Monroe, and the one-sideness is played for screwball comedy. It’s a cute film but it didn’t make me appreciate Marilyn any more than before.

BUtterfield 8 (TCM) – My dad actually recommended this Elizabeth Taylor film, and I was pleasantly surprised at how good it was. Not that I doubt my dad, but sometimes Taylor can grate on my nerves. Fortunately, she was sweet and cute in BUtterfield, and she had great chemistry with Laurence Harvey, who played the married lover she fell for, and with Eddie Fisher, who played the best friend who was also in love with her. Though Taylor was fun to watch, it was Harvey who shined for me. I always forget how charming he was.

A Dangerous Method (DVD) – The biggest draw to this story of the friendship between Carl Jung and Sigmund Freud is Michael Fassbender and Viggo Mortensen in the roles. They are both riveting, as you would expect, but it’s Keira Knightley who becomes so memorable. Bless her courageous soul, she kinda freaked me out as a Jung patient suffering from hysteria, but it’s to her credit that she dove in completely. The movie is a bit more tedious than I hoped, but the friendship (and its eventual demise) between Jung and Freud truly gives the film a thread of grace.

War Horse (DVD) – I have so much love for this film, for this story. Just… So. Much. Love. That a horse could become one of the greatest characters ever portrayed on film is just brilliant, and each of the human actors served to further the horse’s characterization. I could go on and on but still never begin to convey the beauty of the film. It’s just something that must be experienced.

Nicholas Nickleby (Starz) – Though it’s a mediocre adaptation of the Dickens novel, I still enjoyed this film very much. Jamie Bell, as always, is superb, and Christopher Plummer is perfectly dastardly. Beyond that, it’s just a kooky little movie.

The Lincoln Lawyer (Epix) – Obviously forgettable, as I recorded it again a couple months later thinking I’d never seen it, only to remember it once the first scene began. I think I enjoyed it some on first viewing, but I honestly can’t recall.

Se7en (IFC) – I was never quite sure if I’d like this film so I avoided it for years. It’s actually much better than I ever thought it would be, and all of the praise given to the young Brad Pitt was well-deserved. Morgan Freeman and Kevin Spacey also elevate the film. It’s not the kind of movie I could watch over and over, but I’m glad I finally saw it.

Apocalypse Now: Redux (AMC) – My first viewing… and my last. This is truly a disturbing film, and I may never recover from having seen it.

The Eagle (Cinemax) – I generally avoid Channing Tatum films because they tend to be awful, but this particular story was set in the days when Rome ruled Britain and they were at war with the tribes of Scotland. Tatum played a Roman soldier in search of the lost emblem of his father’s legion, and Jamie Bell played the slave who accompanied him on the journey. Turns out, the movie is actually very good, and Tatum’s performance is enjoyable. (Bell’s was better.) It’s safe to say I will watch The Eagle many times in the future.

Underworld: Rise of the Lycans (TNT) – I’m a sucker for the Underworld movies, but it took this particular one to make me realize that Lucian was played by Michael Sheen… and that he had also played that role in the first movie of the series. I was shocked that I never realized it before – that crazy long stringy hair totally disguised him from me! – but it changed my entire opinion of the character and made me want to rewatch the first movie again. No matter how bizarre or disgusting the Underworld films become, I still love watching them over and over.

Man On A Ledge (DVD) – Sam Worthington and Jamie Bell (Are you sensing a theme here?) were both terrific in this movie, and though you may think you know what the story is about, it takes some interesting twists before it’s all said and done. I think this movie is terribly underrated.

One For The Money (DVD) – Even the utter adorableness of Jason O’Mara couldn’t save this film for me. I’m just not a big fan of romantic comedies, and this one was all kinds of unbalanced. One minute I thought it’d be cute and fun, and the next I’d wish it would just end already. I only watched it all the way through for the eye candy. Even O’Mara won’t be enough to make me see Two, much less Three or Four.

The Avengers (cinema) – This movie needs its own post so all I can say are two words: Tom Hiddleston. 😀

Glee: The Concert (Cinemax) – I’ve watched Glee since the beginning but what’s keeps me coming back are the music performances. I turned on this movie with the intent to listen while I worked but I found that I needed to skip forward a lot. The “human interest” stories just didn’t appeal to me, and they mostly felt like so much more of the Ryan Murphy Agenda. I completed the two-hour movie in 30+ minutes and had no love for anything but the music. I’m now debating whether to even continue watching the TV series, as well. I’m thinking Glee has finally run its course for me.

Gossip (Cinemax) – I’ve seen this movie several times and always because I would realize that a certain actor is in the cast and I overlooked them originally. This time it was Norman Reedus who brought me back to it. I’ve come to love him while watching The Walking Dead, but had no memory of him from Gossip. Upon this rewatch I remembered that I did enjoy his character but never put his name to his face back then. Still, it’s Lena Headey who draws me to the movie, and that never changes.

Star Trek – 2009 (FX) – Another rewatch, just because I needed a Chris Hemsworth fix, but he’s gone far too soon. Thankfully, this movie is always fun to watch.

Underworld: Evolution (FX) – My love for Underworld is mostly because of my love for Kate Beckinsale as Selene. I tend to return to the films again and again just because she’s so cool in the role and it’s fun to watch. I only rewatched this one to remind me of the arc that threads all of the movies together. Without much Lucian, though, it’s just not as good a film as the first one.

Taxi Driver (Encore) – Like Apocalypse Now, this first viewing of the DeNiro film will also be my last viewing. It’s not quite the film I expected after hearing about its “greatness” all these years, but it was a fine bit of screenwriting. Unfortunately, by the final third of the movie, I was just disturbed and ready for the conclusion. I suppose it’s good that I can check this off the list of what a movie lover is supposed to see. But honestly…. Whatever.

All The King’s Men – 2006 (Encore) – I knew I’d seen the original version of this film from 1949, but I couldn’t recall if I’d seen this remake starring Sean Penn. Even after watching it again I still wasn’t sure if I’d seen it before until I read my post from 2010. It’s odd that I can’t recall a movie that is very memorable in its story, and it’s especially odd that the performances by Penn, Jude Law, Kate Winslet, and Mark Ruffalo didn’t stick with me. Watching it this time seemed mostly brand new. I’m certain now, though, that I’ll not forget it again. It’s a good movie with good performances, whether you remember it or not.

A Time To Kill (TNT) – I just happened upon this one afternoon and decided to let it run in the background while I worked on other things. It’s not a book I enjoyed reading nor a movie I enjoy watching – the subject matter (i.e. the crime that sets events in motion) is so unpalatable – but the performances by the entire cast are terrific. I tend to forget that when thinking about the movie. It’s also great fun to watch earlier films of Sandra Bullock before she became known for playing kooky.

The Grey (DVD) – I like Liam Neeson a great deal but I hadn’t really heard enough about this movie to make me want to see it. Then I saw my beloved James Badge Dale in the cast list and decided I had to rent it. There are simply not enough opportunities to see him anymore. Turns out, The Grey is a very good movie! Which is good because Badge died within the first fifteen minutes. (Figures.) The movie is kind of terrifying in a non-horror way, with the entire story focusing on a group of men who survive a plane crash in Alaska just to be hunted by wolves in the wilderness. Neeson is the voice of reason that keeps them going. He’s also incredible to watch; the man punches a wolf in the face, for goodness sake! If for no other reason, that’s worth the price of admission right there.

Coriolanus (DVD) – I felt a little whiplashed after (attempting to watch) this film. I often enjoy the conceit of using Shakespeare’s original language in a modern-day setting, but this story is difficult to follow and the film difficult to watch. Despite riveting performances by Ralph Fiennes and Gerard Butler, I still found my attention drifting in and out while trying to watch. I can’t recommend this movie to anyone other than a serious film buff or Shakespeare aficionado. For the rest of us, Coriolanus is just tedious viewing.

Underworld: Awakening (DVD) – This most recent entry in the series is the weakest, but I really don’t expect much from any of them so it never matters how good or bad it turns to be. If Selene is being Selene, then I’m happy. It was also fun to see Michael Ealy in a major role after watching him all summer on Common Law. I didn’t miss Scott Speedman one bit.

The Sandlot (AMC) – K2 and I had a couple of movie marathon weekends during the summer, and this was his choice for the first entry in our baseball film series. He’d seen it as a young kid, but viewing a well-liked film is so much different after transitioning from childhood to adolescence. He had forgotten much of the movie, so this was almost like seeing it for the first time. And it never, ever gets old.

Ferris Bueller’s Day Off (Cinemax) – I had also been recording movies for K2 that I’d loved as a teen, and I thought this would be a great way to introduce him to John Hughes and my beloved 80s flicks. Unfortunately, I’ve not seen the movie completely since my teens, and I totally didn’t remember so much profanity. I was discouraged and apologetic for praising it so highly. Of all the Hughes films, I really thought this one was the most benign. Not so, and I had to continually apologize to K2 for presenting it to him. Of course, he’s 17 and can handle it, but I hate being the one to introduce such a thing, no matter how old the kids might become. In the end, K2 fell asleep before the final acts of the movie. I just might be done with Ferris for life.

Eight Men Out (Cinemax) – It was necessary to watch this movie prior to showing K2 Field of Dreams so that he would understand the significance of Shoeless Joe Jackson. I was also excited to show him how baseball was played in the early years (and how much hasn’t changed at all). I didn’t really know how K2 felt about it at first but as the weekend wore on I realized that the movie had made an impression. That’s exactly what I’d hoped for.

The Natural (Cinemax) – Selfishly, I had to include this Redford classic in our marathon just because every baseball fan should see it. K2 liked it fine, but what it really did was spark a round of Googling about the origins of the New York Yankees (after realizing that the New York Knights team in the movie was fictional). When watching a movie leads to a longer discussion and some history lessons, I’m always pleased.

Field of Dreams (TNT) – I think this movie provided the best moment for me: halfway through the film, after players have appeared from the corn field and Shoeless Joe’s origins have been explained by Costner to his movie daughter, K2 said, “It’s good that we watched that other movie first. That helps you understand this movie better.” 😀 Exactly! He then went on to say, “Hey! That’s just like that Pepsi commercial.” LOL It’s all starting to make some sense.

Zathura (Cinemax) – This was a K2 choice after 6+ hours of baseball movies. I’ve been renting and recording Josh Hutcherson movies since seeing The Hunger Games in March (I adore him as a child!), and K2 had never seen this one. He’s at that great age where being a teen is pretty cool but it’s still nice to act like a kid and do “kid things.” Zathura turned out to be HILARIOUS for us because the two young brothers were exactly like K2 and his younger brother, Dyl. Everything that the movie brothers said to each other mirrored the way K2 and Dyl speak to each other. Every zinger, every put-down, every irritation and aggravation was spot-on to my nephews’ relationship. And K2 couldn’t stop laughing about it. The movie is also really good on its own, so when we completed the viewing I was asked to protect it on my DVR. We’ll be revisiting this film again and again, I’m sure. But we decided that Dyl needed to be much older before he could watch. He’d just get too many ideas from the movie and it would be awful for all of us. 🙂

Rookie Of The Year (Cinemax) – Our final baseball entry in the marathon, and it was a perfect way to end. It hit the mark for K2’s childhood nostalgia – he’d never seen the movie but enjoyed that the main character was a kid – and it allowed us to continue laughing after watching Zathura. For myself, Rookie Of The Year brings back great memories of seeing it with my college roommate upon its release at the cinema. Nostalgia all around!

Inception (HBO) – I had been anxious to introduce K2 to this movie but wasn’t quite sure if he was ready for it. He tends to like “lighter” fare, and because this movie will kinda blow your mind, I had to quiz him on whether he cared. Turns out, he was curious enough to take the chance. We made the mistake of watching it at midnight after a long day of films, and he was so very tired before it ended, but K2 held on. He forced himself to stay awake because it was so trippy that he couldn’t bear to miss anything. I had warned him that it’s a thinker and that it’s necessary to watch the movie over and over again for most of it to make total sense, and that’s exactly how he felt at the end. He said, “I liked it, but I still don’t understand anything.” Ha ha ha! He will. Eventually, he’ll get it. But that just means I get to keep showing Inception to him again and again. I also realized that it’s time to introduce him to The Matrix, as well. That’s a marathon waiting to happen.

Thor (Epix) – K2 had never seen this particular superhero movie, and I needed to watch again for the love of Loki. This movie is still my favorite of the Avengers movie series. I’m emotionally attached, I think.

Ghostbusters 1 and 2 (Encore) – Only recently did I decide to introduce K2 to the Ghostbusters, but I knew he’d like it because the humor is perfect a teenage boy. We had a lot of fun watching the movies, but we laughed the most at the dated sci-fi effects. Still, these movies hold up so well because of the humor and the brilliance of Bill Murray, Dan Aykroyd, and Harold Ramis. The super-fun song helps a lot, too.

TRON and TRON: Legacy (Encore) – I had warned K2 that TRON was an awful movie with crazy, dated FX, but we were both kinda shocked at just how awful it really was. I don’t think I ever saw it in the 80s, but I loved seeing visuals that reminded me of playing Atari with my parents and sisters in our living room. K2 was embarrassed for us. 🙂 He and I endured the first film just to watch TRON: Legacy, knowing that it had much cooler imagery, but the reality is that neither film is really good. The first has a better story but awful graphics, and the second has cool visuals with a ridiculous story. We kinda hated both films. But we seriously dug the light cycles. Not surprisingly, K2 fell asleep during Legacy, so that tells you how boring it is.

X-Men: First Class (Cinemax) – My love for this film makes me keep it on my DVR (oh, for the days when I could purchase DVDs), and K2 had never seen it so we concluded our marathon with my favorite in the X-Men series. Even on multiple viewings, this one never gets old for me. All credit to Fassbender and James McAvoy, of course. K2 liked it a lot, too, but I don’t think he finds it nearly as appealing as I do. I’m guessing that has more to do with gender than anything else.

Race For Your Life, Charlie Brown (HDNMV) – Almost two weeks passed in between my movie viewings; the Olympics were airing! But Dyl came to spend a day with me at the beginning of August, and I had the chance to show him a Charlie Brown movie that he’d never even heard of. And that’s rare because D loves Charlie Brown and the Peanuts Gang. He makes me keep movies on my DVR to watch over and over when he comes to visit. I’ve established a limit for him so my recordings list isn’t overrun by Snoopy films, but I agreed to keep this movie for a while until D gets to know it better. It’s not a great entry in the Charlie Brown filmography, but D loves it and I’m just happy that we don’t have to watch A Boy Named Charlie Brown every single time he visits. There’s only so many times a person can watch the same spelling bee, ya know?

Star Wars, Episodes I-VI (DVD) – The second movie marathon with K2 was his choice. Over two days we watched all six episodes of Star Wars, back to back in episode order (also his choice), and we reveled in a world we both love so much. K2 is fond of the first three eps, naturally, with their updated graphics and younger actors, while I’m still partial to the original three that introduced me to the world that shaped my movie tastes for the rest of my life and gave me my first celebrity crush in Harrison Ford. K2 chose to watch the tinkered versions of my favorites rather than the original theatrical releases, so I spent most of the final movies pointing out all the things that were changed from the originals. K2 didn’t care, of course, but I felt it necessary since my brain always reacts to what is no longer the same. When it came to the very end of the very last movie, though, I was so disappointed to realize that the Ewok song had been excised in the re-releases. True, it’s an annoying song, but it’s part of my original memories from (what I thought would be) the final movie. When the song didn’t play I lamented it to K2 and said, “You have to hear it! It’s so annoying but so necessary!” And so we watched it and we laughed and K2 groaned that I’d made him see it. But since then, K2 has made reference to the Yub Yub song again and again. (It’s actually “yub nub” but we heard it differently and can’t stop saying it wrong.) We’ve also taken to calling each other “Yub Yub,” and he’s found Ewoks in his old stash of Star Wars toys. So it wasn’t such a bad way to end the marathon, after all. But next time, we’re definitely watching the original versions. For sure.

A Star Is Born – 1976 (AMC) – This year I’ve been making my way through the various incarnations of this movie, having watched the original 1937 version earlier in the year. I liked this one much better than the original, but mostly because I enjoy 70s-era Barbra Streisand. Comparatively, this movie takes some creative license and switches up some elements of the story in the name of modernization (sometimes good, sometimes bad), but on its own it’s a very good film. The music, of course, is the greatest element, but Kris Kristofferson really inhabited his role and the chemistry with Streisand is palpable. It’s probably my favorite of all three versions, though I hear there’s another remake on the horizon with Beyoncé in the starring role. I’m sure I’ll feel an obligation to see it, just to complete the series.

Independence Day (FX) – My first thought about rewatching this movie was that K2 might enjoy it, but I decided I should prescreen it for fear of another Ferris Bueller debacle. Turns out, it’s fine for K2 but I don’t think he’ll care. Still, I adore it. It’s so fun to see all of those actors at such different points of their careers – especially Will Smith in the role that sent him skyrocketing – and I found that the film holds up really, really well. Independence Day is just a movie that never gets old. And I do love Bill Pullman and Mary McDonnell as America’s First Couple.

The Linda McCartney Story (Sony Movie Channel) – Every once in a while I have a “girl moment” and decide to watch a Lifetime-esque movie. Almost every time that happens I wish I’d let the moment pass, and this particular moment was no different. I decided to watch this “biographical” movie because (1) I didn’t really know the story of how Linda met Paul, and (2) Linda was played by Elizabeth Mitchell, whom I like very much. Turns out, the movie was mostly about Linda’s struggle with cancer and her desire to leave a legacy behind for her family; the early years of her relationship with Paul were told in flashback. At the risk of sounding callous, I fast-forwarded through the later years to watch the portion from the 60s and 70s. Linda’s story is fascinating, to be sure, but the reason I don’t watch Lifetime movies is because they’re meant to make you cry (or cry “WOMAN!”), and that doesn’t appeal to me at all. What I gained from watching The Linda McCartney Story is that she led an interesting life and seemed to have a great relationship with Paul and her family. But really, I already knew that.

The Secret Life of Bees (Oxygen) – When one female-centric movie isn’t enough, it pays to turn to the Oxygen channel. Thankfully, this movie was more enjoyable. I never read the book despite many good intentions, and I love the actors who were cast in the movie, so this was a good way to spend a lazy afternoon.

Alien (Cinemax) – My plan was to revisit the Alien saga to prepare me for this summer’s Prometheus, which was being bandied about as a prequel, of sorts. A friend had given me a lot of insight into Prometheus, and I had been on the fence about whether I cared to see it or not, so I thought that rewatching the original Alien might help me decide. It didn’t, but I enjoyed going back to the Nostromo spaceship. I’m pretty sure I hadn’t seen Alien since the mid-80s when I watched it in the middle of the night during a sleepover at a friend’s house because she had cable and her mother was asleep. It terrified my middle school self, but it also delighted me with its space travel themes. (Star Wars influence at work.) Since then I’ve seen a few of the Alien sequels but not cared to revisit Ripley‘s world. That seems to be true, even now. I’m still on the fence about Prometheus and have decided to wait until the DVD so I can skip what doesn’t interest me. The only reason I’m even considering it is for Fassbender’s much-acclaimed performance. Alien was fun to watch again but not something I need to revisit many more times.

Hanna (HBO) – I wanted to love this movie. Saoirse Ronan, Eric Bana, Cate Blanchett, and a spy-thriller-action premise. But it’s just a bad film. To their credit, each of the actors committed to their roles, but they are the only good things about the movie. I feel like it was failed by the writing itself. What is a good plot was severely damaged by a rambling screenplay that relied heavily on gimmicky moments and shock value. If this movie could have been presented like The Debt it would have been a truly great film. Alas, it is not.

A Star Is Born – 1954 (TCM) – Rounding out my viewings of this trilogy of adaptations is the version that critics love the most and feel is the defining entry in the series: the Judy Garland film. Unlike the Streisand version, this one is a point-by-point remake of the original, but it didn’t appeal to me that much. I think you either have a taste for Garland or you do not, and I’m not sure that I do. She’s so… LARGE and LOUD in her presence, and I think I’m often turned off by that. Her talent is undeniable, of course, but she’s not my taste. It took seeing this movie for me to know that for certain. Still, in any form this story is terrific. A true classic, no matter who plays the roles.
 

So there you have it. My Summer Film Series for 2012, only one of which was seen at a cinema. Check back here on phrenetical for my review of The Avengers (better late than never), and watch for more movie posts in the coming months. If there’s one thing for certain about my life, it’s that movies are always a part of it.

images via PBS Masterpiece and Internet Movie Database

from the weekend :: Ka-Ciao! (Summer Film Series – Vol. 9, No. 3 :: CARS 2)

June 24, 2011 ~ Studio Movie Grill ~ Plano, Texas

This past Friday I joined my sister’s family for an opening day viewing of Cars 2, something that had been planned for months by their NASCAR-lovin’ selves. The first film is one of their very favorites, and the last boy tends to quote Lightning McQueen a lot, but I’ve never been as much a fan of that film beyond the simple fact that Pixar films are always enjoyable and visually stunning. The race car aspect though? Meh. So I was thankful that I could join their crew for this sequel because I knew my viewing experience would be made so much better by hearing the boy’s commentary throughout the film. Or at least that’s what I thought. Turns out, I loved the film more than any of them! It was far better than the first one — for me, at least — and my experience was heightened by sitting next to the first boy rather than his younger brother. Which just goes to show that nothing is certain in art or life.

I planned to take several photos before and after the movie, but the boys just weren’t having it. The Pickle was almost cranky the whole day, so I only managed a few. But I think I have enough to tell the story. The boys and their parents arrived at the cinema more than an hour before showtime, so they were able to secure the first spots in line. Such a long wait is not agreeable to the last boy, but he managed to endure with the help of Angry Birds — or, as he calls it, “Frustrated Birds”, because “angry” is not a nice thing to be. … During the movie, K2 and I laughed at pretty much every scene — and most of all when Mater gained the power to change his appearance by voice command and turned himself from a tow truck to a monster truck to a taco truck. We couldn’t stop giggling! I was sitting too far away from the other boy to hear his comments throughout the film, but I did notice him during the opening title sequence. When the original Cars graphic appeared onscreen, Pickle’s hand flew into the air displaying the number two. And as that number appeared on the movie screen, he shouted out, “Two!” It was a terrific way to start the show!
 
passing time with Angry Birds

an afternoon viewing with family

You'd think the movie didn't delight these guys, but the truth is they knew I was taking a photo. Plus, I think this occurred during closing credits (which were kinda boring).

Studio Movie Grill

Cars 2 poster

Summer Film Series – Vol. 9, No. 1 :: X-MEN: FIRST CLASS

June 8, 2011 ~ Movies 14 ~ McKinney, Texas

X-Men: First Class

Since my very first introduction to the X-Men universe — way back in 2000 when my pal Nate began to school me on the back stories of mutants featured (and not featured) in the first movie of the current franchise — I have been completely hooked on the series. I’m not a comic book girl, but I absolutely adore the films and continue to find them enjoyable on every subsequent viewing. I even love Wolverine (Origins), because I enjoy seeing so many beloved faces show up in it, though in the final summation it’s a pretty awful film. What kept me engaged through all of the X-Men films thus far was the character of Logan/Wolverine as played by Hugh Jackman. But when word came down that this latest installment would go all the way back to the very beginning, to the friendship origins of Professor X and Magneto, I was more intrigued than ever. My love of Wolverine was as much a love of Jackman as it was the character, but my love of the X-Men story is completely wrapped up in Xavier and Erik. Their enduring relationship has always intrigued me. Making that relationship the basis of an entire film and setting it during a period when they were actually allies sparked a brand new interest in me unlike any I’d had before. And then the casting was revealed… and I knew I’d love First Class even if it stunk to high heaven.

The story of X-Men: First Class mostly takes place in the early 1960s, which alone makes for very cool imagery. Charles Xavier, played wonderfully by James McAvoy, is not yet the professor but is fully aware of the power his telepathic abilities have given him. When he is approached by a government agency to use those abilities in military efforts, he begins to grow toward the Professor X that we will eventually come to know. By contrast, Erik Lehnsherr, who is not yet known as Magneto, is using his abilities to manipulate metals for the sole purpose of revenge upon a doctor who traumatized him in childhood. It is Xavier who rescues Erik from certain destruction and convinces him to join forces with the U.S. government to aid military efforts in Cuba. The great climactic moments involve a band of young mutants working together to prevent the Soviet Union from placing nuclear missiles in Cuba (a historic moment known to us as the Cuban Missile Crisis). It is during this event that the characters begin the transition into their future selves, choosing sides among the two leading men. What X-Men: First Class does is present the beginnings of the characters we came to know in their later years while also setting itself in position for many more stories of the younger mutants. And it is this set-up that excites me the most.

As Xavier, McAvoy is fantastic and truly nods toward the Patrick Stewart personification we have come to love, but the movie really belongs to Michael Fassbender as Erik/Magneto. Fassbender is engaging on all levels, from steely resolve to sarcastic humor to outright sex appeal, and the character of Magneto was never so vivid. (Bless Ian McKellen and his strong portrayal of Magneto in later years, but he just doesn’t offer as many levels of nuance as Fassbender managed to bring to the younger version.) Magneto simply has the better story overall. His journey is one of emotion and learning to control it. And it is that journey which brings such life to this new film, to the point where the entire franchise could focus solely on Magneto’s early adulthood and be better than any other film thus far. Fassbender is just that good in the role. Which is exactly why I never wanted First Class to end.

The moment the credits began to roll at the end of the film I found myself unable to rise from my seat. I was so captivated by Fassbender, so completely thrilled by the giant moments that had come during the climax of the film, and so charmed at the thought of seeing these same actors reprise their roles in more Origins films, that I simply did not want the experience to end. I stayed through the closing credits, caught up in the soundtrack that had not even registered in my ears during the film, and I kept smiling a ridiculously goofy smile over what I’d just experienced. For me, First Class redefined the term “feel-good movie.” It really isn’t a feel-good movie, but it made me feel good. I felt good about the prospect of more. I absolutely hope there is more of this particular setup. Or rather, I just hope there is more McAvoy and Fassbender in these roles. They are perfect together.

That’s not to say that X-Men: First Class is a perfect film, of course. There are actors who just don’t belong in the movie, if you ask me. January Jones, for instance, showed absolutely no talent for doing anything beyond the sulky facial expressions she uses on Mad Men, and her entire role as Emma Frost seemed to exist for no other reason than lying around in as little clothing as possible. Once again I wondered just why this woman gets cast in anything, for she simply is not a good actress! Her character really had little purpose other than being someone for fanboys to ogle. Any other actress could have played her and created an actual character with depth. Instead, we were subjected to Jones, who brought nothing at all to the movie. On the other hand, I truly enjoyed Jennifer Lawrence as Mystique. I had never been a fan of the shape-shifter in any previous film, and I never, ever understood her attachment to Magneto, so it was a real treat to see the origin of the character in this film. And Lawrence’s emotive abilities brought depth to her in a way that Jones failed to do for Frost. In fact, it was Lawrence’s portrayal that made me rethink Mystique and come to love her fully by the end. Of all the relationships that surface in First Class, it’s the one with Magneto and Mystique that thrilled me the most. It is that relationship I want to explore further.

I can safely say that X-Men: First Class is my favorite of the franchise now. It’s the one I want to watch again and again, and it’s the one that brings the most emotional depth. My immediate reaction upon leaving the cinema was, “It will be hard for other summer films to top this one.” I still feel that way weeks later. This one crawled beneath my skin. It charmed me and thrilled me and made me ask for more-more-more. That’s all I ever want in a summer film, and I’m so happy that it was delivered to me by the mutants!
image from 20th Century Fox, linked to source

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