My Top 40 in Pop Culture for the year 2010

Note: This list encompasses my pop culture year, which means that some things were current and many others originated in past years. Of the things I saw and heard through 2010, these are the ones that stood out… for better or worse.

MOVIES
1. Inception
2. Salt
3. Toy Story 3
4. Crazy Heart
5. The Hurt Locker
6. The Chronicles of Narnia: Voyage of the Dawn Treader
7. Knight and Day
8. The Expendables
9. Stage Door
10. Breakfast at Tiffany’s (which I finally, finally saw this year)

 

TELEVISION
1. Rubicon (may it rest in peace)
2. concluding the saga of LOST
3. the final season of 24, which included my beloved Clayne Crawford and provided my number one favorite moment of its entire series run: Jack Bauer’s armored assault
4. Mad Men, featuring the steady downward spiral of Don Draper, the comic demise of Miss Blankenship, and Sally Draper’s coming of age
5. the parallel universes of Fringe and my ever-increasing love for Peter Bishop
6. The Walking Dead, the zombie series I never knew I’d want to watch
7. finally discovering Friday Night Lights
8. Cole Hauser’s return to a weekly series (however brief it may turn out to be)
9. the revival of Grey’s Anatomy, with more Christina and less Meredith (thankfully!)
10. giving up on no less than 8 series in a single network season, including two longtime favorites (Survivor and Private Practice)

 

MUSIC
1. Lady Antebellum’s Need You Now album
2. Free by Zac Brown Band
3. White Liar by Miranda Lambert
4. Every Dog Has Its Day by Toby Keith
5. an actual mass-produced CD from Christian Kane
6. discovering Josh Turner
7. discovering Blake Shelton
8. giving Kenny Chesney a chance
9. realizing I’d been loving the music of Garth Brooks without knowing it
10. the continued (superior) musical output from Glee, which made me love a Lady Gaga song and reminded me that Gwyneth Paltrow can sang, baby

 

NEWS & EVENTS
1. Earthquake in Haiti
2. Oil spill in the Gulf
3. Flooding in Nashville, Tennessee
4. Chilean miners survive more than two months trapped underground
5. The Great North Texas Snowstorm
6. Texas Rangers play in World Series
7. Royal Engagement of Prince William to Kate Middleton, which brought back memories of his parents’ grand wedding in 1981
8. Sandra Bullock wins the Best Actress Oscar for a family film then shows true grace through the public spectacle of her crumbling marriage
9. the ridiculous success of Avatar sets off an influx of movies released in 3D… much to my dismay
10. my personal highlight of 2010: finally getting a chance to see Wicked on stage and being able to share that with Kiwi

 

Summer Film Series – Vol. 8, No. 5: INCEPTION

August 27, 2010, at Cinemark Allen 16 in Allen, TX
 
Joseph Gordon-Levitt in 'Inception'
 
Some movies are so spectacular that you know you will love them before you really even see them. I assumed I’d love The Matrix when I first saw the trailers for it, and that was confirmed for me within the first few minutes of the film when Trinity first suspended herself in mid-air just before taking out a roomful of policemen using only her skills and their weapons. I was convinced of the greatness that is Minority Report before I ever saw a single frame at the cinema. So naturally, based on the spectacular trailers for Inception, I knew I’d love it without knowing one true thing about it. It had a great pedigree in director Christopher Nolan and star Leonardo DiCaprio and its story was obviously going to be mind-bending, and those two elements alone were enough to convince me that it was going to be far beyond my wildest imagination. And it is. In more ways than I can count.
 
To summarize the plot is to give away too much of the film, so I will not do that here. It is necessary to see Inception with no preconceived ideas. I avoided all reviews and news articles prior to viewing just to enter with a clear head. Unfortunately, there was one small element revealed to me unwittingly, and knowing that one thing really did take away a significant level of enjoyment. It’s not that I disliked anything but rather, I knew too much and the mystery wasn’t as deep as it should have been. And that’s a disappointment, as the greatest gift of the film is not knowing until the pieces start to fall into place. That such an experience was taken from me is a true regret as I spent the entire film understanding the story in a way that only should be experienced on second and third viewings. For a movie-lover like me, it truly did take away from the adventure of the film.
 
Make no mistake, Inception is a thinker. It’s the kind of film that forces you to be alert and watchful. It’s not so much “entertainment” as it is an “experience,” and as much as I recommend it to every single person who loves a great film, I know that there is a contingent of people who just find it boring. In truth, it’s only boring to those unwilling to participate in cinematic experiences. Those who find it boring are those who simply want their movies thrown at them with cues for when to laugh and when to cry and what to think. Inception doesn’t tell us any of these things. In fact, it tells us very little. Instead, it presents itself with all you need to know to form your own conclusions. And even then, the conclusions you make are highly debatable. This film is one of those incredible stories that will be discussed and argued and weighed and measured for years to come. I’d even go so far as to say it will be discussed for generations, in the same way we now discuss Hitchcock, Kubrick, Welles, and yes, The Matrix trilogy.
 
What I will say about Inception is that it has one of the greatest casts ever assembled, and the average moviegoer will know very few of them. DiCaprio was given above-the-title billing, but he is merely the navigator of the story. It is his castmates who truly take the film to its heights, and none moreso than Joseph Gordon-Levitt (seen in the images here), Tom Hardy (whom you will remember in years to come as you think back on the film), and the ever-delightful Marion Cotillard (whose character cannot even be described because just knowing who she plays will destroy a key plot point of the film). The rest of the cast is divine in their roles, as well, including Ellen Page, Ken Watanabe, and my longtime favorite Cillian Murphy. At various points throughout the film, each of these actors, as their respective characters, draw your attention away from everything else going on, and that is truly a rare gift in modern movies. But above all else, it is the visual spectacle that makes Inception so phenomenal. The (mostly non-CGI) effects of the film are breathtaking — as is one of the first images you see in the film: a grand hall filled with pendant lights that took my breath away every time it was shown — yet none of them draw attention from the human element. And I believe that is the film’s greatest strength.
 
Joseph Gordon-Levitt and cast of 'Inception'
 
images via Internet Movie Database are linked to source


Summer Film Series – Vol. 8, No. 4: SALT

August 5, 2010, at AMC Theatre, Firewheel Center, Garland TX
 
Angelina Jolie in 'SALT'
 
I’d been looking forward to seeing SALT for many, many months since first hearing about the project and Angelina Jolie’s involvement. But, as usual, my excitement for a film was not echoed by the critics, so I did have a slight moment of doubt about whether Salt would live up to my expectations. And as usual, I never should have doubted myself. How in the world could an action film with a spy element that featured Jolie in a part originally written for a man end up going wrong in any way? That she got to play at the same level as the boys, got to be the baddest of all the characters in the film, and bring back shades of Mrs. Smith pretty much guarantees that I’m going to love every minute of the film — or at least love all the moments in which Jolie is onscreen. But Hollywood knew how to counteract any non-Jolie moments by also casting Liev Schreiber (my longtime beloved Liev Schreiber) alongside Jolie and then giving him a role that allowed him to be his awesome self and fill up the screen with as much power as Jolie brought to her own role. Seeing the two of them play off each other — and not just for a few moments within the story — made me wish they could become the next Hepburn & Tracy, making film after film after film together. That’s how much I love their pairing! Jolie is always a favorite of mine, as I believe she is one of the top five greatest actresses of the current generation, but in Salt Schreiber was given the rare opportunity to play a male lead and to show the world just how incredible he is when given the chance. Plus, (and this is a total spoiler, so skip to the next paragraph if you don’t want to know any plot twists), he had a few scenes in a Russian dialect, which I know is very close to his heart and is something he enjoys doing for films. That alone was worth the price of a ticket!
 
I loved Salt. Adored it, actually, and probably will want to watch it again and again over the course of my lifetime. Just as I do Mr. and Mrs. Smith and Wanted. Just as I do Defiance and Ransom and The Manchurian Candidate. And even Gone in Sixty Seconds. Because I love Jolie and I love Schreiber and that’s enough to make Salt a keeper. But even if it wasn’t for the two of them, it’s still a pretty cool movie on its own. Who doesn’t dig a fun spy flick? I think what the critics disliked was that the film was little more than an extended episode of Alias. But my answer to that is, “What’s wrong with that?” Salt was all I wanted it to be and more. Which makes it a winner in my book.
 
image via Internet Movie Database


thanx, Kiefer!

Thanx, Kiefer!

 
My Thank You Notes series is inspired by Leah Dieterich who strives to write a thank you note every single day. View her notes at Thx Thx Thx.


Summer Film Series – Vol. 8, No. 1: ROBIN HOOD

May 31, 2010, at Movies 14, McKinney Texas
 
Russell Crowe in 'Robin Hood'
 
In theory, this latest telling of the Robin Hood story is everything I love in film: beloved actors, epic scale, a much-loved tale. There is no reason it should disappoint, and it did not. That’s not to say this is the best Robin Hood movie I’ve ever seen, or that it’s a movie I would watch over and over again. But I did like it very much and felt it was a fresh take on the legend. Rather than rehash the Sherwood Forest angle, this Robin Hood explored the origins of the man who became the myth. And yet, it was not the origin I had always heard. Which begs the question: what’s the source of this new tale? A little research reveals that there is some support to the new film’s conceit, but there are definitely new angles, as well. The story of Robin and Marion, for instance, is completely new. Robin’s name of Loxley is not his true name in this film but rather the name that he assumes from another. And Marion is that other man’s wife. And it is she who hails from Nottingham. Even the timeline for King John and Richard the Lionheart is different from any other retelling I’ve heard. All of which kept me on my toes and made the story come to life in a fresh way, if not sometimes difficult to accept. I wonder if my experience would have been different had I been aware of these changes prior to sitting in the theater?
 
All in all, this Robin Hood was still quite enjoyable. It featured the action I expected, the heart and romance, the touches of humor. The cast was great, although Matthew Macfadyen was seriously wasted in a too-small role as the Sheriff of Nottingham. But Russell Crowe definitely gave my favorite portrayal of Robin, and Cate Blanchett played Marion with the perfect blend of strength and fragility. In fact, I can’t imagine a better Marion than Blanchett’s creation. And despite one cringe-worthy moment at the end, this film had very few flaws for my taste. Which is really all I ever ask for in any film. Although now, I’d really like to see Crowe and Blanchett make many, many more movies together. Please please please.
 
Cate Blanchett and Russell Crowe in 'Robin Hood'
images via Rotten Tomatoes
 


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